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Newgrange
has some of the finest megalithic art in Europe. Three of the kerbstones
are fully decorated - the Entrance stone, K
52
which is positioned at the opposite side of the cairn to the entrance,
and K 67 which lies to the
north of the chamber. In addition there are many lesser carvings on other
kerbstones. During the excavation it was discovered that several stones
were decorated on their inner hidden sides, which prompted much speculation
about the nature of the art.
The lintel of the Roofbox is
engraved with a series of eight lozanges which may reflect the division
of the year into eight parts. The passage and chamber stones are also
richly engraved with spiral, lozange and zig-zag motifs. The signiture
of the Newgrange builders is the famous triple spiral which appears on
the entrance stone and in the end recess of the chamber.
The artwork was catalogued by Claire O'Kelly, wife of Michael O'Kelly,
the main excavator. Claire took rubbings of the stones, most of which
are reproduced in Michael O'Kelly's Newgrange book.
Another researcher who made an intensive study of the megalithic art of
the Boyne Valley and Loughcrew was Martin Brennan. His work was published
in two books, The Boyne Valley Vision and The Stars and the Stones. Brennan
was trained as an artist, and he made several groundbreaking discoveries
about the relationship between the art and the astronomical alignments
of the mounds. Sadly, his work was much maligned by the acedemics of the
times - there seems to have been plenty of animosity. However, now almost
30 years since his books were published, many of his theories have become
accepted, though mostly uncredited.
The
Entrance Stone
Kerbstone
1 is the masterpiece of the Boyne Valley builders, and is the most recognisable
symbol of prehistory in Ireland. I would have to add here that it is this
stone which fired my imagination when I first came across it in History
of Art at the age of 15; we had to learn to draw it freehand. I have been
fascinated with it ever since.

The decoration consists of a large triple spiral engraved with double
loops which fill the left side of the stone. The spirals rotate clockwise
on the way to the centre and anti-clockwise moving away from the centre,
a kind of ancient Irish Yin Yang. The triple spiral is echoed by another
in the passageway, and yet another in the deepest recess of the chamber.
A group of chevrons (diamond shaped engravings) emerge from the left side
of the spiral. The stone is divided by a vertical groove which marks the
entrance position/azimuth of the sunrise on the solstice. The right side
of the stone is composed of two bands of spirals which give way to a series
of chevrons and arcs which move to the right.
There
has been plenty of speculation about the meaning of this stone, and if
you go on a tour at Newgrange, the guides will offer some of these. One
of the most common explanations (and most simpleminded) is that the large
triple spiral represents the three big mounds; the spirals on the right
are some of the smaller mounds, and the wavy lines on the bottom represent
the River Boyne. In this scheme, the rectangles, triangles and lozanges
are the fields of the first farmers.
My
own feelings about this symbol, having had a rubbing of it on my wall
for many years, are that it is a lot more complex than that. My latest
interpretation - since I took up music myself - is that it may bear some
kind relationship to musical notation. Modern notation has a spiral in
the 'treble' clef and the base clefs, while the chevrons appear close
to where you might mark sharp or flat notes.
This
brings us into deeper levels of symbolism, as music is closely related
- indeed is formed from vibrations, and there are many, many New Agey
theories about Newgrange. All energy moves in a spiral motion - there
are many examples in nature such water going down a hole, tornadoes, cyclones,
anti-cyclones, etc.
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