Kerbstone 1, the Entrance Stone guards access to the interior of Newgrange. This highly symbolic engraving is the neolithic masterpiece of Europe.

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Newgrange has some of the finest megalithic art in Europe. Three of the kerbstones are fully decorated - the Entrance stone, K 52 which is positioned at the opposite side of the cairn to the entrance, and K 67 which lies to the north of the chamber. In addition there are many lesser carvings on other kerbstones. During the excavation it was discovered that several stones were decorated on their inner hidden sides, which prompted much speculation about the nature of the art.

The lintel of the Roofbox is engraved with a series of eight lozanges which may reflect the division of the year into eight parts. The passage and chamber stones are also richly engraved with spiral, lozange and zig-zag motifs. The signiture of the Newgrange builders is the famous triple spiral which appears on the entrance stone and in the end recess of the chamber.

The artwork was catalogued by Claire O'Kelly, wife of Michael O'Kelly, the main excavator. Claire took rubbings of the stones, most of which are reproduced in Michael O'Kelly's Newgrange book.

Another researcher who made an intensive study of the megalithic art of the Boyne Valley and Loughcrew was Martin Brennan. His work was published in two books, The Boyne Valley Vision and The Stars and the Stones. Brennan was trained as an artist, and he made several groundbreaking discoveries about the relationship between the art and the astronomical alignments of the mounds. Sadly, his work was much maligned by the acedemics of the times - there seems to have been plenty of animosity. However, now almost 30 years since his books were published, many of his theories have become accepted, though mostly uncredited.

The Entrance Stone

Kerbstone 1 is the masterpiece of the Boyne Valley builders, and is the most recognisable symbol of prehistory in Ireland. I would have to add here that it is this stone which fired my imagination when I first came across it in History of Art at the age of 15; we had to learn to draw it freehand. I have been fascinated with it ever since.




The decoration consists of a large triple spiral engraved with double loops which fill the left side of the stone. The spirals rotate clockwise on the way to the centre and anti-clockwise moving away from the centre, a kind of ancient Irish Yin Yang. The triple spiral is echoed by another in the passageway, and yet another in the deepest recess of the chamber.

A group of chevrons (diamond shaped engravings) emerge from the left side of the spiral. The stone is divided by a vertical groove which marks the entrance position/azimuth of the sunrise on the solstice. The right side of the stone is composed of two bands of spirals which give way to a series of chevrons and arcs which move to the right.

There has been plenty of speculation about the meaning of this stone, and if you go on a tour at Newgrange, the guides will offer some of these. One of the most common explanations (and most simpleminded) is that the large triple spiral represents the three big mounds; the spirals on the right are some of the smaller mounds, and the wavy lines on the bottom represent the River Boyne. In this scheme, the rectangles, triangles and lozanges are the fields of the first farmers.

My own feelings about this symbol, having had a rubbing of it on my wall for many years, are that it is a lot more complex than that. My latest interpretation - since I took up music myself - is that it may bear some kind relationship to musical notation. Modern notation has a spiral in the 'treble' clef and the base clefs, while the chevrons appear close to where you might mark sharp or flat notes.

This brings us into deeper levels of symbolism, as music is closely related - indeed is formed from vibrations, and there are many, many New Agey theories about Newgrange. All energy moves in a spiral motion - there are many examples in nature such water going down a hole, tornadoes, cyclones, anti-cyclones, etc.

Painting of K1 by Padraig Conway, Milwaukee Irishfestival, 1998.