Irish megalithic art
One of the best known features of the Irish Passage Graves are the neolithic engravings, a mysterious symbolic language that ornaments many structural stones, especially in the Boyne Valley and at Loughcrew in County Meath. These engravings may be considered the earliest writing or inscription in Ireland, carved by descendants of the first colonizing farmers who landed in County Sligo around 4,150 BC.
It is now accepted that the early farmers migrated to Sligo from Brittany, an area with a long tradition of monument building with megalithic art found at sites such as Gavrinis, Kercado and La Table des Marchands.
A number of early carvings have been found in the western sites of Carrowmore and Carrowkeel. Art was noticed at Listoghil, the central monument at Carrowmore, by tour guide Michael Roberts, which was subsequently published by Patricia Curren Mulligan. The engraving consists of three joined arcs or 'rainbows' carved on the right edge of the huge capstone. To the right of the arcs there is a double ring with a dot at the center.
Because the carving is on weathered limestone, it is difficult to see with the naked eye; however, it can be viewed at noon during the summer months when the sun is directly overhead. This monument, dated to around 3,600 BC, has an astronomical alignment towards the sunrises and moon rises over the peaks of the Ballygawley Mountains six kilometers to the southeast. The modern reconstruction has restricted the view to a few days in late October and early February.
The sunken megalithic chamber at Cloverhill, 500 meters east of Carrowmore, was discovered during extensive ploughing in 1830. Great excitement ensued when several of the chamber stones were found to be covered with engravings, and George Petrie used the discovery
‘to connect the period of the erection of this remarkable group of monuments with those of the same class in other parts of Ireland, and particularly with those of the great pagan sepulchres on the banks of the Boyne’
Modern researchers believe that the carvings at Cloverhill belong to the late Bronze age Iron age and are probably contemporary with the carving found within the chamber of Listoghil, which was carved with an iron chisel.
Heapstown and Carrowkeel
Two more examples of megalithic art were discovered in recent years, one on a kerbstone at Heapstown, the huge unopened cairn at Lough Arrow, the other in the chamber of Cairn B at Carrowkeel.
The discovery of megalithic art at Heapstown, made by the author in the late 1990's was not surprising, as there were rumours of a stone bearing art having been removed from the cairn during quarrying. In some versions the stone was carved with ogham, a script much later than the megalithic art, and stood at the summit of the great cairn. However, the illustration of the designs was drawn by Vincent Dodd in his report for the National Schools Folklore Collection in the 1930's has all the hallmarks of genuine megalithic art.
The remaining carving is found on a south facing kerb stone and consists of a number of parallel lines, which may indicate that the as yet undiscovered entrance to the monument is close by.
The first piece of engraved art to be found in Carrowkeel was discovered in 2009 by Robert Hensey, who noticed two faint spirals carved in the chamber of Cairn B. An account of the discovery titled Once Upon a Time in the West was published in 2012. These discoveries of megalithic art connect the sites at Lough Arrow and Carrowmore to Loughcrew and the Boyne Valley. As Robert Hensey puts it:
As a result of these new finds there is now megalithic art known from all four major passage tomb complexes. While there seems to be a tradition of making megalithic art at passage tombs in County Sligo, it would be wrong to expect large undiscovered quantities of art in the north-west. The authors carried out a two-week search as part of the Carrowkeel Passage Tomb Art Project at many other passage tombs in the Carrowkeel-Keashcorran complex and a number of other passage tombs in the region, and the second stone in cairn B was the only additional art found.
It is likely, however, that more art will be discovered in the west in time. The possible use of pigments to make colored motifs and designs might also explain the smaller quantities of carved art on passage tombs in the west. Evidence of the use of colour has recently been discovered on the parietal walls at Barnenez and Gavrinis passage tombs in Brittany, France, and at the Neolithic Ness of Brodgar site in the Orkney Islands. It may be that similar evidence will one day be found on the walls of passage tombs in Carrowkeel and on Neolithic monuments elsewhere in Ireland. But that, as they say, is another story.
Conclusion from Once Upon a Time in the West.
There are several other examples of megalithic art to be found at isolated monuments in the mid north of Ireland. The large chamber at Knockmany in County Tyrone has a fine collection of six engraved stones, now covered by a strange glass structure for the protection of the art. The chamber is five meters in length and opens to the south, quite possibly aligned to Loughcrew 80 kilometers away.
Details of the engravings can be viewed at the Megalithic Art Analysis Project page, which also has details on accessing to monument. Another engraved monument is found close by at Sess Kilgreen, where apparently the carvings have eroded badly from exposure to weathering.
These engravings may well deal with ritual astronomical themes, demonstrated at several sites where the artwork is illuminated by the light of the sun or moon at a chosen time during the cycle of the body in question.